The Myth Of Vampires And Frankenstein s Monster - 2077 Words

Vampires, mummies, werewolves, and Frankenstein’s monster have been a part of literature for seemingly eternity, but these creatures have not laid dormant in the world of literature. The classic monsters are constantly evolving, relying on misconceptions or pop culture’s new ideas to push them along in the way they behave and are perceived. The perception of vampires has evolved from being hellish creatures to the icon of love stories in modern literature. The powers vampires contain has been steadily evolving since Bram Stoker’s Dracula was released. Misconceptions or possibly the desire for saving time has evolved Frankenstein’s monster into being called simply Frankenstein. Mary Shelley’s original description has been morphed throughout literature such as comics and movies. Werewolves, except for the lack of other wereanimals, have remained mainly untouched by the evolution of the classic monsters in literature. This is most likely due to werewol ves not being the central focus in most pieces of literature. The main evolution of mummies has been the transformation from being an embalmed pharaoh that was a typical part of some cultures to a supernatural monster. Classic monsters from literature have changed from where they originated, whether it being their development of morals or supernatural abilities. Vampires, in the past, were without a doubt in league with evil yet with the new literature, it is not not uncommon to see a vampire love story, to find a vampire thatShow MoreRelatedFrankenstein, Dracula and Spiritualism1701 Words   |  7 Pages1. Mary Shelley s Frankenstein tells the story of a man s desire to control life itself. Victor Frankenstein s main goal is his own glory and power. He desires like Prometheus before him to take something that is reserved for the god s and make it of use to men. Victor is unable to control this new found power and it eventually destroys him. Shelley tells this story of knowled ge and science by introducing the romantic temperament of Victor and the gothic themes of the creation of the creatureRead MoreSocietal Dilemmas Of Frankenstein And Frankenstein1541 Words   |  7 Pagesoften not afraid to address societal dilemmas. Frankenstein by Mary Shelley and Dracula by Bram Stoker are two examples of this. Mary Shelly uses Frankenstein’s monster as a metaphorical figure to demonstrate the treatment of the marginalised. This is clarified through the Monster’s declarative â€Å"All men hate the wretched;† referring to the fact that his physical appearance has caused everyone in society to reject him – including his creator, Frankenstein. This could be an allusion to the treatmentRead MoreThe Monsters And Their Origin1412 Words   |  6 PagesMonster Stephen T. Asma has given an analysis of the monsters and their origin. Besides, he gives a definition on the fears of human beings regarding the monsters. 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The websites purpose is to illustrate how the films of El Santo were influenced by the growth and stability and after 1950. El Santo and his wrestling assisted rural migrants to urban Mexico City by showing them how to handle modernization andRead MoreHow The Romantic Period Was Characterised By Political And Social Upheavals1318 Words   |  6 PagesThe Romantic period was characterised by political and social upheaval. The era marked England s shift from a largely agricultural society to a modern industrial nation. Moreover, the aristocracy s influence diminished, industry-owning middle classes grew. The Romantic epoch also witnesses revolution and war. First the American Civil War, followed by the French Revolution later. They brought concepts of popular freedom, and of the power of the proletariat. In England, these ideas were well receivedRead MoreEssay on Gothic Fiction2923 Words   |  12 PagesGothic fiction is erotic at the root according to Punter. 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